Hans and Mona decide to give their spouses something to think about by getting caught in a compromising situation during a joint vacation. To lighten the somewhat awkward mood, they decide to seek help in the bar cabinet, where they mix a potent cocktail that they name Green Elevator. It marks the beginning of a cheerful evening.

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Easter. Staircase. The guy is waiting for the elevator, but time and time again misses and does not come. Until the elevator stops, the door opens, and there she is.

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Elevator is a story about two strangers, a young pregnant Japanese woman & a young criminal, who get stuck in adjacent elevators and share a conversation that may alter their realities.

Luise, a young masseuse, turns 35 and wants to have a child at last. Actually, she also has a suitable friend, but Lars has a company that he wants to bring to the stock market. And that means one or two years of work without end for the next one. When he also burst the hard-won common weekend without warning, it's enough for her. She throws him out and books a flight to Mallorca on her own. Already on the plane she will notice this mysterious-gallant gentleman, Max. But he is married and a millionths. Nonetheless, he is interested in her. She gives in to his urge. In a lonely bay, they spend a romantic night of love. She is blown away. Not for long - when Max's woman dies in her arms. she gives Max an alibi and comes pondering a bit.

A claustrophobic armed robber, fleeing from his latest job, finds himself trapped with a group of people between floors in a high-rise building's elevator that is teetering on collapse.

Really bad samples of new generation Turkish films. This film reflects the director's non ripen cinema culture. He use too incomprehensible objects and metaphor. Basic, non merry, boring sample of non-traditional Turkish cinema.